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Marylou Wakefield

A R T I S T
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Solo Exhibition at Tidal Art Centre, May 2025

ARTIST IN RESIDENCE
TIDAL ART CENTRE
Lund, B.C.
MAY, 2025

For the month of May 2025, I have the pleasure of being an artist in residence at Tidal Art Centre in Lund, B.C. On the edge of beautiful Finn Bay, in an updated Forest Ranger’s house with comfortable accommodation, a sweeping deck overlooking the bay and best of all a large open studio. I’m painting, printmaking, and lumiéres all inspired by the beautiful landscape perched on the edge of the Salish Sea, and the doorstep of Desolation Sound.

To begin, I spent the first 4 or 5 days getting to know the place, walking down quiet gravel roads, hiking through forest trails, perching on rocks, wandering through boat yards and taking in the activity of the prawn fishermen and pleasure boats on the wharves.

In the studio I worked every day towards making loose, expressive landscapes that were more glimpses than full views and not as I had seen therm, but imaginary scapes I would leave to the viewer to interpret. I worked inks on paper - watercolour paper, mulberry paper and teabag paper.

What I’ve learned is that this is a small but mighty art community who are supportive of each other and their work evidenced by how they show up for each other of course, and artists like me whom they do not know. Opening night saw about 25 - 30 people who showed up to look at the work, ask questions and show interest in my work. They even brought flowers to make me feel welcome.

EXHIBITION - COMING OCTOBER 2025

I’m pleased to announce that I will be exhibiting new works with Georgina Montgomery & Louise Oborne at arc.hive artist run centre in October, 2025. WRIT LARGE is three distinct approaches to a textual investigation presented on large format paper. Arc.hive is located at 770 B Hillside Avenue, Victoria, B.C. Visit the exhibition website https://writ-large.art/ for more information.

FINDING THE LIGHT

As the light outside fades, it’s a good time to invite the warm glow of light inside.

Each year in November, I create a collection of lumiéres, hand made lanterns made with my original designs. Each lumiére is cylindrical in shape and measures 8 1/2” tall x 3 1/4” around. Lumiéres look beautiful on their own or, in a grouping on a coffee table, side table, dining room table or mantle piece, wherever you want a warm glow of light.

The creative idea behind the lumiére project is to use light to illuminate an aspect of nature, something that caught my eye while on my frequent forays into the wild. This year, like every year, I’ve added a few new designs to the collection.

The Lumiére Collection 2024 includes:
Birds - In flight, Shoreline, Perched
Trees - Willow, Birch
Structures in Nature - Gate, Fenceline
Abstract Forms & Shapes - Bent light, Letters, Lilypad, Mushoroom, Fungi

Lumiéres are $45 CAD and include a battery operated tea light, and glass tea light holder.
To order, contact me via the Contact page on this website, via email mlwakefieldartATgmail.com, or Instagram @mlouwootton.

IMPORTANT NOTE: Lumiéres should only be illuminated with battery operated tea lights and NEVER with a flame.

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Shoreline
Perched
Willow Tree
Birch Tree
Gate
Fenceline
Bent light
Letters
Lily pad
Mushroom
Funghi





SOOKE FINE ARTS SHOW
Written in Stone,
acrylic and ink on cradled wood panel, 2023 has been juried in to the Sooke Fine Art Show July 29 to August 7, 2023 at SEPARC Leisure Complex 2168 Phillips Rd., Sooke, B.C. More than 250 artists from Vancouver Island and BC’s coastal islands in all disciplines will be exhibiting. Purchasers’ Preview event will be held on Friday, July 28 @ 7 p.m. Tickets at sookefinearts.com.

Introducing Lumiéres

these hand made lumiéres made with my original designs on translucent paper. when illuminated, they create a soft diffused light and bring a glimpse of nature into your space.

Each lumiére is hand made with my original artwork on heavy, coated, translucent paper. Each one measures approximately 8 1/2 inches tall x 3 1/2 inches wide. $45 CAD each including battery operated tea light and holder.

Lumiéres can be used anywhere you want to add soft, diffused light - lovely in a grouping on a dining room, coffee, or side table.

Each lumiére is hand made using my original artwork on heavy, coated, translucent paper. Each one measures approximately 8 1/2 inches tall x 3 1/2 inches wide.

As of April 2023, there are 4 series of lumiéres with several new designs recently added.

Trees: Willow Tree, *Tree buds
Hand lettering: Calligraphy
Nature: Bird in a thicket, Farm Gate, *Birds in formation, *Magnolia
Reflections: Creek, Glass block, Lily pad, *Graphic grass

*New designs for 2023

To order, go to the Contact page, send an email indicating which type(s) and quantity of each. Include shipping details if appropriate.
I will then contact you to arrange payment and shipping if required.

IMPORTANT SAFETY NOTE
: Lumiéres should be illuminated with battery operated tea lights or battery operated “candles” ONLY to avoid heat which can alter the shape of the lantern.

Lumières are $45 each and include a glass holder, tea light and battery.

Mark Making with hand made brushes and tools

workshop

Mark your calendars for this 2-day workshop at MISSA (Metchosin International Summer School for the Arts) July 15 and 16, 2023 on the campus of beautiful Shawnigan Lake School.

In this workshop we will begin by looking at a number of well-known artists who make unique and outstanding marks in their work. From there we’ll forage for materials from wild landscapes on the campus gathering botanical materials we are drawn to. Back in the classroom, we’ll create one-of-a-kind brushes and mark making tools that can be bound together with string, wire, leather, wool, jute, roots, cloth strips or any other natural material of your choosing. Once the brushes are complete, we will begin to experiment with making marks, your own individual expressions. We’ll use India ink and a range of coloured acrylic inks on a variety of papers - watercolour paper, mulberry paper, and rice paper and we will observe how these papers “accept” the medium. Students can bring any materials of their choosing to bind and decorate their unique creations keeping in mind that no two brushes are alike and, they are a reflection of the artist who created them. This is an opportunity to let go and express your individuality through mark making. At the end of the workshop we will discuss how our unique marks can be incorporated into painting, print making, and ceramics. Registration for Mark Making with Handmade Brushes and Tools (and ALL MISSA workshops) starts starts Feb 7 for Friends of MISSA and Feb 14 at noon for all.

MAKE YOUR MARK

MARK MADE WITH BLACK INDIA INK AND CLEMATIS SEED HEAD ON WATERCOLOUR PAPER

I’m pleased that my painting Gathering Courage like Dark Clouds on the Horizon was accepted for publication in UPPERCASE magazine Issue #54. Thank you Uppercase for showcasing my abstract work in your beautiful magazine.

I’m teaching a workshop Mark Making with handmade Tools this summer at the Metchosin International Summer School of the Arts at Shawnigan Lake School, August 6 and 7. We’ll make our own brushes from foraged botanical materials and then explore a wide variety of ways to make marks, wth wet and dry, smooth and wrinkled, black ink, coloured acrylic inks, using a variety of tools on different papers. It will be 2 days of fun and exploration. Visit the MISSA website for more information. Hope to see you there.

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Finding the Light - a series

April 5, 2021

For the past six months, I’ve been in a dark place coping with grief and loss after the sudden unexpected death of my dear husband, Glenn. Tragically, he passed away in October, 2020 after suffering a stroke at sea while he sailed our boat West Wind II five hundred miles offshore heading towards New Zealand. He was on the last leg of a journey he started in 2008, one that would take him single handed around the world, west about. Going Solo is a blog we created together to tell that story. My situation was made even more lonely during the Covid-19 lockdown without the ability to be with and close to friends and family.

After months of grief counselling, and many virtual visits and conversations with friends here and around the world, I’ve been taking small steps toward recovering and healing and have recently found my way back into my studio. The urge to make art continues to be strong. What is emerging through the process is an area of strong, bright light amidst a darker field. It seemed that every painting I’ve made wants me to see that there is light.

The first one in the series is called Go the Distance which initially was created with the intention of telling a story about finding space and freedom of movement and a way forward. The piece has layers of acrylic paint and ink and marks of various kinds that were mostly covered up by the process, except a few, and one in particular. While I was examining it closely towards the end of the process, I stared at one mark in particular that looked to me like a small sailboat (difficult to see except in real life) on a vast expanse heading towards the horizon and into the light.

I didn’t draw a small sailboat and yet there it is, to me it’s clear and present. I’m not going to speculate about why I see a sailboat, except that it’s me trying to make sense of my world that’s been turned upside down. It’s also about me thinking about where Glenn is and how he might be. And, of course, it’s also about observing oneself and the stories we carry within us that become part of our inner landscape and how art makes it possible for us to tell those stories.

Here’s a few more in the series.

Sentinels, acrylic on canvas, 20 inches x 16 inches, 2021

Sentinels, acrylic on canvas, 20 inches x 16 inches, 2021

Coming through the Pass, acrylic on birch panel 12 inches x 12 inches, 2021.

Coming through the Pass, acrylic on birch panel 12 inches x 12 inches, 2021.

It’s Out There, acrylic on birch panel, 12 inches x 12 inches, 2021

It’s Out There, acrylic on birch panel, 12 inches x 12 inches, 2021

Stepping Into It, acrylic on birch panel, 2021

Stepping Into It, acrylic on birch panel, 2021





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